Tyutchev's short poems that are easy to learn
Tyutchev's verses, which are easy to learn, make upsubject matter of this review. The poet was a master of small poetic works, the form of which in many ways determined their content. Short lyrical works of the author belong to the best samples of Russian poetry of the 19th century.
Tyutchev's poetry, which is easy to learn, shouldconsider in the context of his poetic heritage, in which literary scholars distinguish conditionally three stages: the lyrics of the 1820s, which is characterized by the imitation of poets odic forms of poetry of the 18th century, but already with elements of original themes; 1830-1840-ies, when the poet moved away from the principles of archaic classicism and began to write more on romantic topics; and, finally, the 1850-1870s, which is a mature period of his work, during which the poet creates, perhaps, the best examples of landscape and love lyrics.
Tyutchev's verses that are easy to learn, beforeall, include works on the theme of love. In this respect, the so-called "Denisiev cycle", which received such a name, is of particular interest because most researchers believe that the poems were dedicated to Denisyeva, whom the poet loved. However, there is another point of view, according to which these works are devoted to the author's wife. Anyway, this lyric poetry became one of the best examples of love lyrics, not only in the poet's work, but also in Russian poetry in general.
From love lyrics lyrics Tyutchev, which is easylearn, perhaps, the most acceptable for schoolchildren, since they are written in a particularly easy and accessible language. For example, the work "Last Love" can be called as such an example. It is small in volume, beautiful in sound and at the same time very expressive, and its imagery helps to memorize it by heart.
The meaning of love poems
Tyutchev's poems about love, which are easy to learn,perhaps, are his most famous works, some of them even put on music. Such, for example, is his famous work "I Met You, and Everything Past ...", which became a cult romance in Russian music. This work is surprisingly musical in itself, and therefore it is very easy to remember. The penetration of the poem and its ideal form of rhyme construction make it very convenient to remember.
Tyutchev's poems about love, which are easy to learn,have the following characteristic semantic feature, which, incidentally, is inherent in his love lyrics in general. The poet perceived love as a kind of strong shock for people, which completely turns their fate, leaving a memory for themselves for the rest of their lives. They are imbued with a sense of tragedy and something inexorable that will inevitably change a person. This is what distinguishes his love lyrics from the lyrics of Pushkin, whose predominantly predominantly light colors and wise acceptance of reality prevailed in this subject. While Tyutchev clearly sounds notes of heavy sadness and sadness, as a memory of something irretrievable.
Some of Tyutchev's poems, which are easy to learn (16lines) refer to the theme of the image of nature. In this respect, the work "I Love the Storm at the Beginning of May" was a classic example. Schoolchildren learn it with pleasure, because it is characterized by astonishing optimism and generally sounds very cheerful, raises the mood. The cheerful mood of the lyric hero is usually immediately transferred to the reader from the very first line, in contrast to his love lyrics, which is permeated with a sense of sadness and sadness.
Tyutchev's verses, which are easy to learn (16 lines),differ rhythm and slender verse form. One of the most famous of these works is the aforementioned work "I Met You, Everything Past ...", as well as the work "Swallows". The latter work is interesting because in it besides natural sketches there are philosophical arguments of the author about his creative path and inspiration. It is also rhythmic, and there are no complex allegories or metaphors. On the contrary, Tyutchev very simply and compares his poetic creativity with the daring flight of the swallow. Therefore, the poem is very easy to remember in school lessons.
Philosophy of life
Tyutchev's verses, which are easy to learn (20 lines),are distinguished by their simplicity and at the same time profound philosophical sense. This feature is generally characteristic of the entire work of the poet, who, in a very short, concise and restrained manner, was able to convey the most complex feelings and experiences. One of the most striking examples of this kind of work is the poem "What life would not teach us ...". In this work, the author expresses the hope that in people there remains a faith that is preserved in them by suffering. In this work again there are sketches of nature, which this time serve as a means for him to express his philosophical view of the world and its surrounding reality.
Tyutchev's verses, which are easy to learn (20 lines),are dedicated to nature. For example, the essay "How Jolly the roar of summer storms", in which the poet again expresses his joy from admiring the way the natural elements played out. It is also imbued with optimism, is short and concise, but at the same time it is expressive and figurative in content, therefore it is very convenient for memorizing to schoolchildren. Tyutchev's poems about nature, which are easy to learn, at the same time are the best examples of his lyrics. Such works include the work of the poet "Reluctantly and timidly", in which the author's anxious attitude to the beauties of the surrounding species is very briefly and expressively displayed.
Importance of creativity
Tyutchev had a great influence on developmentRussian poetry of the 19th century. His poems represent the best examples of love, philosophical and natural lyrics. His poetry is often associated with the work of Pushkin, who, according to a number of testimonies, treated him very sympathetically and published his works in his journal. There is a point of view that Dostoyevsky's prose had a great influence on him, which indicates that Tyutchev's work has become an important stage in the history of Russian literature.